Orbital wins the Booker
Samantha Harvey’s Orbital has won the 2024 Booker prize. What it so skilfully and ambitiously exposes is the human cost of space flight set against the urgency of the climate crisis. While a typhoon of life-threatening proportions gathers across south-east Asia, six astronauts and cosmonauts hurtle around Earth on the International Space Station. Their everyday routine of tasteless food and laboratory work is in stark contrast to the awesome spectacle of the blue planet, oscillating between night and day, dark and light, where international borders are meaningless. Orbital was written during lockdown when the meaning of home (for those lucky enough to have one) changed forever. There’s a sense in which Harvey’s six astronauts return us to that moment when our homes became prisons and we were forced to contemplate the global effects of a virus that had no respect for national boundaries. On the International Space Station, borders are only visible on the side of the Earth that is under night and only really as clusters of artificial light which shows cities. Rivers are “nonsensical scorings … like strands of long fallen hair” and “the other side of the world will arrive in 40 minutes” blurring it all. Russian cosmonaut Anton contemplates US astronaut Michael Collins’ iconic photograph of Apollo 11 leaving the surface of the Moon in 1969 with the Earth beyond. He thinks “no Russian mind should be steeped in these thoughts”, but he is captivated by where the people are in the photograph. Is Collins the only human not to appear in it? Or is he the only human presence we can be sure of? Shaun has a postcard of Diego Velázquez’s Las Meninas, sent to him by his wife. The painting’s complex composition has been said to create a unique illusion of reality where it […]