Books

Bad Blood-Secrets and Lies in a Silicon Valley Startup

-John Carreyrou This is the full inside story of the breathtaking rise and shocking collapse of Theranos, the multibillion-dollar biotech startup founded by Elizabeth Holmes, by the prize-winning journalist, John Carreyrou, who first broke the story and pursued it to the end, despite pressure from its charismatic CEO and threats by her lawyers. He has won the Pulitzer twice. In 2014, Theranos founder and CEO Elizabeth Holmes was widely seen as the female Steve Jobs: a brilliant Stanford dropout whose startup “unicorn” promised to revolutionise the medical industry with a machine that would make blood testing significantly faster and easier. Backed by investors such as Larry Ellison and Tim Draper, Theranos sold shares in a fundraising round that valued the company at more than $9 billion, putting Holmes’s worth at an estimated $4.7 billion. There was just one problem: The technology didn’t work. In Bad Blood, John Carreyrou tells the riveting story of the biggest corporate fraud since Enron, a tale of ambition and hubris set amid the bold promises of Silicon Valley.

My Salinger Year

by Joanna Rakoff Poignant, keenly observed, and irresistibly funny: a memoir about literary New York in the late nineties, a pre-digital world on the cusp of vanishing, where a young woman finds herself entangled with one of the last great figures of the century. At twenty-three, after leaving graduate school to pursue her dreams of becoming a poet, Joanna Rakoff moves to New York City and takes a job as assistant to the storied literary agent for J. D. Salinger. She spends her days in a plush, wood-paneled office, where Dictaphones and typewriters still reign and old-time agents doze at their desks after martini lunches. At night she goes home to the tiny, threadbare Williamsburg apartment she shares with her socialist boyfriend. Precariously balanced between glamour and poverty, surrounded by titanic personalities, and struggling to trust her own artistic instinct, Rakoff is tasked with answering Salinger’s voluminous fan mail. But as she reads the candid, heart-wrenching letters from his readers around the world, she finds herself unable to type out the agency’s decades-old form response. Instead, drawn inexorably into the emotional world of Salinger’s devotees, she abandons the template and begins writing back. Over the course of the year, she finds her own voice by acting as Salinger’s, on her own dangerous and liberating terms. Rakoff paints a vibrant portrait of a bright, hungry young woman navigating a heady and longed-for world, trying to square romantic aspirations with burgeoning self-awareness, the idea of a life with life itself. Charming and deeply moving, filled with electrifying glimpses of an American literary icon, My Salinger Year is the coming-of-age story of a talented writer. Above all, it is a testament to the universal power of books to shape our lives and awaken our true selves.

This is How They Tell Me the World Ends

This is How They Tell Me the World Ends (Bloomsbury 2021), Nicole Perlroth’s alarming look at the world of underground cyberarms, has been named the 2021 Financial Times and McKinsey Business Book of the Year. “Digital sabotage,” Perlroth said after her win, “is the immediate threat that we can do something about—if we wake up. The goal of this book is to wake people up.” The book draws on nearly a decade of the author’s cybersecurity and digital espionage reporting for the New York Times, where she worked with hundreds of sources including hackers and government officials. On December 1, Perlroth left the Times to join a new committee with the US Cybersecurity and Infrastructure Security Agency. “Maybe one day I will hopefully get back to journalism,” she said, “but in the meantime, the threat is too great for me to keep doing what I was doing.” Nicole Perlroth has written a book that is more than just a timely wake-up call to the profound implications of the arms race among hackers, cybercriminals, businesses, and national governments. It is an alarming book, one in which the author makes a granular and matter-of-fact case demonstrating how vulnerable global computer systems have become and an urgent plea for specific and systematic action. The Financial Times and McKinsey Business Book of the Year Award is given annually to the book that provides “the most compelling and enjoyable insight into modern business issues.” Each of this year’s shortlisted authors receives £10,000.

Bad News: How Woke Media is Undermining Democracy

by Batya Ungar-Sargon, Newsweek magazine Something is wrong with American journalism. Long before “fake news” became the calling card of the Right, Americans had lost faith in their news media. But lately, the feeling that something is off has become impossible to ignore. That’s because the majority of our mainstream news is no longer just liberal; it’s woke. Today’s newsrooms are propagating radical ideas that were fringe as recently as a decade ago, including “antiracism,” intersectionality, open borders, and critical race theory. How did this come to be? It all has to do with who our news media is written by―and who it is written for. In Bad News: How Woke Media Is Undermining Democracy, Batya Ungar-Sargon reveals how American journalism underwent a status revolution over the twentieth century―from a blue-collar trade to an elite profession. As a result, journalists shifted their focus away from the working class and toward the concerns of their affluent, highly educated peers. With the rise of the Internet and the implosion of local news, America’s elite news media became nationalised and its journalists affluent and ideological. And where once business concerns provided a countervailing force to push back against journalists’ worst tendencies, the pressures of the digital media landscape now align corporate incentives with newsroom crusades. The truth is, the moral panic around race, encouraged by today’s elite newsrooms, does little more than consolidate the power of liberal elites and protect their economic interests. And in abandoning the working class by creating a culture war around identity, our national media is undermining American democracy. Bad News explains how this happened, why it happened, and the dangers posed by this development if it continues unchecked.

Manifesto

The powerful, urgent manifesto on never giving up from Booker prize-winning trailblazer, Bernardine Evaristo. Bernardine Evaristo’s 2019 Booker win – the first by a Black woman – was a revolutionary moment both for British culture and for her. After three decades as a trailblazing writer, teacher and activist, she moved from the margins to centre stage, taking her place in the spotlight at last. Her journey was a long one, but she made it, and she made history. Manifesto is Bernardine Evaristo’s intimate and inspirational, no-holds-barred account of how she did it, refusing to let any barriers stand in her way. She charts her creative rebellion against the mainstream and her life-long commitment to the imaginative exploration of ‘untold’ stories. And drawing deeply on her own experiences, she offers a vital contribution to current conversations around social issues such as race, class, feminism, sexuality and aging. This is a unique book about staying true to yourself and to your vision. It’s about how to be unstoppable – in your craft, your work, your life. It is Bernardine Evaristo’s manifesto for never giving up.

The Book of Hope:A Survival Guide for an Endangered Planet

Jane Goodall & Doug Abrams A legendary conservationist. A lifetime spent fighting for nature. An indispensable message of hope. The world-renowned naturalist and conservationist Jane Goodall has spent more than a half-century warning of our impact on our planet. From her famous encounters with chimpanzees in the forests of Gombe as a young woman to her tireless campaigning for the environment in her late eighties, Jane has become the godmother to a new generation of climate activists. In The Book of Hope, Jane draws on the wisdom of a lifetime dedicated to nature to teach us how to find strength in the face of the climate crisis, and explains why she still has hope for the natural world and for humanity. In extraordinary conversations with her co-author Doug Abrams that weave together stories from her travels and activism, she offers readers a new understanding of the crisis we face and a compelling path forward for us all to create hope in our own lives and in the world. The world needs a manifesto of hope now more than ever. This profound book from a legendary figure in the fight against climate change shows that even in the face of great adversity, we can find hope in human nature, and in nature itself.

The Premonition

For those who could read between the lines, the censored news out of China was terrifying. But the president insisted there was nothing to worry about. Fortunately, we are still a nation of skeptics. Fortunately, there are those among us who study pandemics and are willing to look unflinchingly at worst-case scenarios. Michael Lewis’s taut and brilliant nonfiction thriller pits a band of medical visionaries against the wall of ignorance that was the official response of the Trump administration to the outbreak of COVID-19. The characters you will meet in these pages are as fascinating as they are unexpected. A thirteen-year-old girl’s science project on transmission of an airborne pathogen develops into a very grown-up model of disease control. A local public-health officer uses her worm’s-eye view to see what the CDC misses, and reveals great truths about American society. A secret team of dissenting doctors, nicknamed the Wolverines, has everything necessary to fight the pandemic: brilliant backgrounds, world-class labs, prior experience with the pandemic scares of bird flu and swine flu…everything, that is, except official permission to implement their work. Michael Lewis is not shy about calling these people heroes for their refusal to follow directives that they know to be based on misinformation and bad science. Even the internet, as crucial as it is to their exchange of ideas, poses a risk to them. They never know for sure who else might be listening in. Michael Lewis is the best-selling author of Liar’s Poker, Moneyball, The Blind Side, The Big Short.

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Crossroads (A Key to All Mythologies)

– by Johnathan Franzen Jonathan Franzen’s gift for welding depth and vividness of character with breadth of social vision has never been more dazzlingly evident than in Crossroads. It’s December 23, 1971, and heavy weather is forecast for Chicago. Russ Hildebrandt, the associate pastor of a liberal suburban church, is on the brink of breaking free of a marriage he finds joyless—unless his wife, Marion, who has her own secret life, beats him to it. Their eldest child, Clem, is coming home from college on fire with moral absolutism, having taken an action that will shatter his father. Clem’s sister, Becky, long the social queen of her high-school class, has sharply veered into the counterculture, while their brilliant younger brother Perry, who’s been selling drugs to seventh graders, has resolved to be a better person. Each of the Hildebrandts seeks a freedom that each of the others threatens to complicate. Jonathan Franzen’s novels are celebrated for their unforgettably vivid characters and for their keen-eyed take on contemporary America. Now, in Crossroads, Franzen ventures back into the past and explores the history of two generations. With characteristic humor and complexity, and with even greater warmth, he conjures a world that resonates powerfully with our own. A tour de force of interwoven perspectives and sustained suspense, its action largely unfolding on a single winter day, Crossroads is the story of a Midwestern family at a pivotal moment of moral crisis. Jonathan Franzen’s gift for melding the small picture and the big picture has never been more dazzlingly evident.

What makes a good literary hoax? A political point, for starters

Literary hoaxes thrive on exposure. At best, they are politically transgressive. They strip away anything smug, pretentious or hypocritical to reveal an uglier reality underneath. Hoaxes may use ethically questionable methods. But when they work, they tell us something about the relationship of art to life and politics. It’s the literary equivalent of Banksy shredding an artwork at Sotheby’s as the hammer came down. If they don’t, then we should question if they deserve to be called a hoax at all. Recently, hoaxes were in the headlines when three men leapt onto a Barcelona stage to accept a million euro literary prize awarded by the publishing house, Planeta – “unmasking” themselves as the Spanish writer, Carmen Mola in the process. “Mola”, a bestselling crime author, won the Euro prize for La Bestia – The Beast – a thriller about a serial killer stalking Madrid in the midst of a cholera epidemic. Cue global shock, followed by shrugs from authors, publishers and critics. So far, the fury has centred on who is allowed to write what, and why. However author Margaret Atwood crisply and correctly called the unveiling a “a great publicity stunt”. This hoax was embarrassing and high profile. But it was also unoriginal and apolitical. The men behind Mola said they were tired of lying. But might claiming a lucrative, prestigious prize – and a bit of ego – also have been a factor in unmasking themselves? Pen name politics The Mola hoax infuriated many because the authors, who wrote a trilogy of ultra-violent novels starring a female detective, Inspector Elena Blanco, had generated a backstory that was more than a pseudonym. It was an identity. It was also stereotypically gendered. Mola, which roughly translates as “Carmen the cool” in English, claimed she was an academic who kept her writing career a secret because she was bashful about the allegedly transgressive […]

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