The hidden agenda of royal experts circling The Crown series 4
Giselle Bastin, Associate Professor of English, Flinders University The recent outcry from royal biographers about the accuracy and fairness of series 4 of The Crown taps into narratives that have surrounded the field of royal life writing since it emerged in the early 20th century. There has been much hand-wringing by (royal) trainspotters, biographers, journalists and even Britain’s Culture Secretary Oliver Dowden and the actor who plays Princess Margaret, Helena Bonham Carter, about the accuracy of the Netflix series written and produced by Peter Morgan. Criticisms of series 4 have ranged from historical inaccuracy (the Queen being wrongly dressed for the Trooping the Colour; Princess Anne’s horsemanship) to a propensity to flesh out the narrative with half-truths and downright falsities. (For example, the suggestion that Charles and Camilla remained an item all the way through his marriage to Diana, and the idea that Prince Philip gave Diana a veiled threat about what could await her if she didn’t play by the script.) One royal biographer, Hugo Vickers, has been so incensed by The Crown’s playing hard and fast with the facts he’s sprung to action and released his own book devoted to fact-checking it. In addition to criticising the biopic’s misrepresentation of royal lives, the show’s detractors express concerns long aired about popular history — that an admiring and gullible viewing public will assume the program is factual and treat it as real history. The public, it is implied, need protection from fake news turning into fake history. Critics of The Crown profess to have the royals’ best interests at heart because the royal family is not prone — at least it wasn’t before Harry and Meghan — to going to the courts or on the public record to defend itself. The Windsors, they imply, are being subject to unethical treatment and are also in need […]