André Leon Talley dreamed of a life ‘in the pages of Vogue, where bad things never happened’
–Peter McNeil, Distinguished Professor of Design History, UTS, University of Technology, Sydney, Australia. André Leon Talley dreamed of a life ‘in the pages of Vogue, where bad things never happened’ Every time we see a “fashion moment”, we use the words of André Leon Talley, from his description of Galliano’s 1994 Japonisme show. Talley, who died recently age 73, was a flamboyant, over-the-top figure from the fashion industry, inclined to snobbery and rather overbearing. He had a longstanding love of French culture and the cross-fertilisation of fashion, art, poetry and life. Most prominently, he worked at Condé Nast for four decades, where, as creative director and editor-at-large of Vogue, he shaped the way we understand and talk about fashion. Born in Washington in 1948, Talley was raised by his modest grandmother in segregated North Carolina and graduated high school in 1966. Slight and bookish, he dreamed of: living a life like the ones I saw in the pages of Vogue, where bad things never happened. A regular church-goer, he later said that particular ritual was akin to going to a royal court. The bright women’s clothes and careful accessories seen there were filed away mentally. Talley went to college at the historically black university, North Carolina Central University, before completing his masters at Brown University, Rhode Island – the first in his family to attend an Ivy League School. At Brown he wrote his thesis on black models in the poetry of Charles Baudelaire, a figure who upheld fashion as the epitome of modernity. New fashion narratives Talley’s first fashion job was as an assistant with Diana Vreeland at the Metropolitan Museum of Art. The “fashion empress”, as he called her, had been fired as editor of American Vogue (1963-1971) for her over-literary imagination and costly fashion shoots. In her second life as a […]