How China’s propaganda machine tried to control the message in the Hong Kong protests
China is known for the strict control it exercises on information, especially online. Discussion of events that might reflect unfavourably on the government is often censored, or framed in such a way that it becomes pro-government propaganda. That’s why so many Chinese citizens remain unaware of, for example, the 1989 Tiananmen Square massacre. Online discussion of the recent protests in Hong Kong against a now-suspended extradition bill was no different. But this was also a rare occasion when China’s news propaganda machine was mobilised to simultaneously target several audiences both inside and outside China. China’s propaganda network is made up of a constellation of domesticand international news outlets. They span social media, mobile apps, websites and traditional media. The news is tailored to particular audiences according to different agendas. Everything, however, comes under the direction of the Central Publicity (formerly translated as “Propaganda”) Department of the Chinese Communist Party. This is an amazing time lapse of the hundreds of thousands of protesters in Hong Kong. Over the past few weeks, we’ve seen the China extradition bill elevated from a local Hong Kong controversy to a story of international concern following the protesters’ lobbying campaign targeted at the G20 summit. As events escalated from peaceful rallies focused on a single issue to at times violent confrontations seeking a range of demands, including the resignation of Hong Kong Chief Executive Carrie Lam, the agendas of several spheres of China’s propaganda converged. The first day protesters took to the streets was March 31. That was two days after the extradition bill was published in the Gazette, the official publication of the Hong Kong government. The same day, two Chinese-language newspapers that have long acted as de-facto official media of the Chinese government in Hong Kong (but not openly declared as such) swung into action. Wen Wei Po and Ta Kung Pao both used either the entire or the majority of the second […]