Did Tolkien write The Lord of the Rings because he was avoiding his academic work?
By John M. Bowers Umberto Eco has examined our ongoing fascination with the Middle Ages and listed ten different versions including the “shaggy medievalism” of works like Beowulf. Much of J.R.R. Tolkien’s success as a fiction writer derives from assimilating several of these fantasies of the past including the decadent Middle Ages described by Faramir at Minas Tirith. Strangely missing from Eco’s literary types was the jolly, earthy, boisterous Middle Ages of the Decameron in his Italian tradition and the Canterbury Tales in ours. This Chaucerian legacy, so clearly embodied in Tolkien’s hobbits, is easy enough to miss because it has been so thoroughly normalized in English literature that it no longer seems “medieval” at all, especially in Oxford where Chaucer had been a steady literary presence for more than five centuries. Some listeners inside Merton Hall in 1959 might nonetheless have been surprised that Tolkien, best known for his work on Old English poetry, devoted a section of his “Valedictory Address” to recruiting Chaucer to the cause of Language against Literature in a debate still very much alive in the retiring professor’s mind: His merits as a major poet are too obvious to be obscured; though it was in fact Language, or Philology, that demonstrated, as only Language could, two things of first-rate literary importance: that he was not a fumbling beginner, but a master of metrical technique; and that he was an inheritor, a middle point, and not a ‘father’. Not to mention the labours of Language in rescuing much of his vocabulary and idiom from ignorance or misunderstanding. Repeating views about Chaucer from his letter to John Masefield in 1938, this encomium would have sounded surprising only because nobody knew about Tolkien’s efforts at rescuing 14th-century vocabulary and idiom during his own long labors on Selections from Chaucer’s Poetry and Prose.HTMLPreview Like almost all medievalists […]